INFO
Through a largely collaborative practice, Angelica Bollettinari’s work spans curatorial, educational and artistic projects, which often have a socially engaged and participatory aspect. Since 2017 she has co-run resina, a platform for research based between London and Ferrara. resina’s work is invested in developing feminist, environmentally sustainable and non-human-centric practices through slow-paced alternative education experiments and residencies.

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CONTACT
︎ angelicabollettinari@gmail.com
FEMINIST DURATION READING GROUP 




1–13 December 2015
The Showroom, the ICA, Space Studios and Raven Row

A programme of events considering feminist thinking, art and activism, taking place across The Showroom, the ICA, Space Studios and Raven Row (1–13 December 2015).

Project website here

Juxtaposing historical with contemporary positions, the series explores feminist concepts of generation and genealogy. It asks whether practices of consciousness-raising and collectivity might help us to combat the fragmentation, exhaustion and anxiety that we experience under networked capitalism. The programme draws inspiration from Italian feminisms, including the work of collectives formed in the 1970s: Rivolta Femminile (Female Revolt), Libreria delle Donne di Milano (Milan Women’s Bookstore Collective), and Lotta Femminista (Feminist Struggle).

A touchstone is the work of Carla Lonzi, the writer and cofounder of Rivolta Femminile, and her refusal of power and rejection of masculine creativity that exploits female supportive activity. This process of ‘deculturation’ entailed Lonzi’s withdrawal from her roles as an art critic, as a feminist leader, and from her relationship with her lover, the sculptor Pietro Consagra, which she documented in a dialogue between them called Vai pure (Now You Can Go).

Now You Can Go grows out of the Feminist Duration Reading Group. The programme has been developed by participants from the Feminist Duration Reading Group including Angelica Bollettinari, Giulia Casalini, Diana Georgiou, Laura Guy, Irene Revell and Amy Tobin, and is coordinated by Helena Reckitt with Dimitra Gkitsa.

Supported by the Arts Council of England, Grants for the Arts.

With additional support by Goldsmiths’ Annual Fund, Goldsmiths’ Art Department, and the Women’s Art Library at Goldsmiths, University of London; EWVA European Women’s Video Art in the 70s and 80s’ (DJCAD, University of Dundee); IASPIS; and Electra.